<Translated from Italian automatically, it will be edited later.>
Pyotr Ilyich Tchaikovsky's (1840–1893) compositions for violin and orchestra are limited to the Sérénade mélancolique in B minor, Op. 26 (1875), the Valse Scherzo, Op. 34 (1877), and the Concerto in D major, Op. 35 (1878).
These three pieces were recently recorded by the American label Cedille (distributed in Italy by Ducale Music), along with a version for soloist and orchestra of Souvenir d'un lieu cher, Op. 42, edited by Alexander Glazunov, based on Tchaikovsky's original piece for violin and piano.
<...> The solo parts are entrusted to Jennifer Koh. A talented American musician, just twenty-five years old, born to Korean parents, she delivers some truly remarkable performances, culminating in her performance of the Violin Concerto.
She is accompanied by the Odense Symphony Orchestra, beautifully conducted by Alexander Vedernikov, certainly on par with other more renowned European ensembles, and characterized by remarkable unity and harmony.
Source.
Pyotr Ilyich Tchaikovsky's (1840–1893) compositions for violin and orchestra are limited to the Sérénade mélancolique in B minor, Op. 26 (1875), the Valse Scherzo, Op. 34 (1877), and the Concerto in D major, Op. 35 (1878).
These three pieces were recently recorded by the American label Cedille (distributed in Italy by Ducale Music), along with a version for soloist and orchestra of Souvenir d'un lieu cher, Op. 42, edited by Alexander Glazunov, based on Tchaikovsky's original piece for violin and piano.
<...> The solo parts are entrusted to Jennifer Koh. A talented American musician, just twenty-five years old, born to Korean parents, she delivers some truly remarkable performances, culminating in her performance of the Violin Concerto.
She is accompanied by the Odense Symphony Orchestra, beautifully conducted by Alexander Vedernikov, certainly on par with other more renowned European ensembles, and characterized by remarkable unity and harmony.
Source.
Tchaikovsky: Complete Works for Violin and Orchestra
Сriticaclassica.wordpress.com, March 29, 2017
